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From Seedlings To Saplings​.​.​.

by Long Range Hustle

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1.
Her Majesty I The slightest seed elegantly grows from the ground, its roots in me. Then, through the grass, the stalk will pass from earthy den until at last... Breaching upwards towards the light, with glowing love it defines the night. So we might learn, to some degree, the colour of Her Majesty. II From seedlings and saplings, the forest, she grew up – her canopy glows with a radiant sheen. And just like Her Majesty I guess we grew up, and now it’s our turn to decide what that means.
2.
Up & Up 04:26
Up and Up “Do you smoke enough?” “Just one hit. One toke on the up and up.” An over-opiated wreck, he craves a calming effect – a small adjustment to cura te ipsum. “Us Christian-Jews can lose a father too…” Yet, we glow in unity. Our new resplendencies grow young to show us how we grew up old. Can’t sit. Can’t stand. Can’t speak for long. The ones we love are the dialogue. Once a palliative wreck, his heart is beating a ghet – a subtle murmur that whispers everlong “Just live for you, and you’ll for him too.” Yet we glow in unity. Our new resplendencies grow young to show us how we grew up whole.
3.
All That Fire You’re not too strong, living on your own. But the end crept in, and settled in my bones. I guess it’s in like a lamb, out like a lamb. I said, “Come in my dear. Hold on to my hand.” “Hold on to all that fire” Pastel and tubes in this god-forsaken room. “Quit that” you said as the curtain drew. You said, “It ain’t in like a lamb, out like a lamb.” With dried blood on my lip, I’m too weak to stand. But there’s still all that fire. Don’t talk about it, don’t talk about it, my love. Just hold me as I fall asleep, my love. Don't talk about it now. “Hold on to all that fire.”
4.
Paddle Away 04:29
Paddle Away I’ve been around. I’ve played a hero, and I’ve played the villain that you drowned in that lake. I’ve heard the sighs of teary eyed children when their parents come to take them away from starry nights and a fear of heights that was abandoned when their feet left the ground. So that they wonder now, “whatever was it for?” For pushing off of that shore, to paddle away. We grew into men, we grew into women, running from the bears in the woods and in our hearts. There’s fall in the leaves and stains on our knees, so we pack up our canoe in the dark. On the shoreline sand, an open hand with a needle that points to the north – if there’s a lesson learned, whatever was it for? For pushing off of that shore, to paddle away. I’m pushing off of that shore, to paddle away.
5.
Someday, I’ll know. III Sound the kettles! Alert the talking heads! There’s a little toy warhammer hidden underneath her bed. And on the vanity awaits a spool of thread. Will she sew it into elegance or unravel it instead? “Do we live in history? Is that something we can know a priori? Do we live in history, or does it live in us?” “Someday, I’ll know.” Clutch the paper! Articulate the pen! From the furious young pugilist to the unforgotten wren; the characters she’s lived, and ones she hasn’t written yet, all crawl those darkened hallways for five-and-a-half minutes. “Do we live in history? Is that something we can know a priori? Do we live in history, or does it live in us?” IV “Someday, I’ll know.”
6.
Snow Song 04:05
Snow Song Your fingertips are cold, like they just held snow, so briefly crystalline until it succumbs to your body’s heat. It makes you wish for the days you were too young to understand this pallid tragedy playing out in the palm of your hand. Yet, just as winter fades into the glow of spring, you’re bound for fields of green, and what they bring. But these flakes remain intact. What I’d give to turn them back to droplets on your skin, radiating its warmth again. Makes me wish for the days we were too young to understand the snow that’s falling down is a beginning, and not an end. Just as winter fades into the glow of spring, we’re bound for fields of green, and what they bring.
7.
Sour Milk 03:45
Sour Milk Isn’t it just the way? They grow up and then move away, leaving all of these hours and the milk has gone sour. It’s been a gradual decay, until it was too much for her to take. And I’m sleeping on the couch still, so it feels like the beds are filled. I’m nothing if not lonely, but I guess that comes with age. Oh help me out... Born the runt, I’ve always dreamed of a yard, or something, that I can run around in. So when I catch a clip in your stride, these hours of captivity fade. I’m nothing if not lonely, but I’m not one to break your optimistic gaze when you’re thumbing through the keys that fit my cage. It’s too early for me to wake as the frost kisses the blades of the grass in our backyard. Its colder than I'd hoped for. But you listen to what I say, and you’ll love me anyway. I can finally feel the warmth again as we turn to go back in The air is crisp as I wait here at the door, at dawn – the kind of morning the glows. So let’s go, let’s put some tracks in the snow of our own. Isn’t it wonderful! Now, I’ll never be so lonely as I was in those days before I met your gaze. And I’m hoping that I’ll never be away from table-scraps and full days in the fields out past the gate. So if I could, I’d say “Here’s a kind of love that stands upon six legs.”
8.
Skeleton Key 03:58
Skeleton Key Heading down south, past the border guards, the Ambassador is a parade of cars. You’d tried to warn me of their weight - such heavy locks on those pearly gates. I see an open door in the light that’s slipping out through your locks from down the corridor, and I’m turning that key to open up your deepest pride, and your tallest love. After simmering in the Ohio heat I’ve a sudden urge to start cutting keys Is there a fragile end? One that could break or bow or bend? They’re cleverly built, but all I need is time. I will push the pins until they step aside. It takes a discerning eye... I see an open door in the light that’s slipping out through your locks from down the corridor, and I’m turning that key to open up your deepest pride, and your tallest love. Your prince-rupert’s-heart is made of gold, and even Prince Rupert’s heart is made of gold. I see an open door in the light that’s slipping out through your locks from down the corridor, and I’m turning that key to open up your deepest pride, and your tallest love.
9.
Coyotes 04:32
Coyotes The path she took was crooked, a winding road on the east coast. When the word got out that the girl’s here, the beasts and birds were all ears. When mother takes her child away, who are we to say “the truths enclosed in our lies leave our lives justified.” The canids came to auger the mourning of a daughter. The skyblue sky, it reigned over this foliage, once green – now red. When mother takes her child away, who are we to say “the truths enclosed in our lies leave our lives justified.”
10.
Engine Parts V There once was a way to feel her love on your face. We’ve lived through the days when you could hold her heart in your hands. Her blue eyes have gone grey. They gaze at ice covered, barren landscapes. Freeze dried and twice a day, vitamin D and vitamin A. With flat lungs and blue hearts, it’s less like a body, more like engine parts. Oh, let’s see how far we can go with flat lungs and blue hearts. Oh no! She’s gone, but we’re awake with flat lungs and blue hearts. It’s less like a body, more like engine parts. “Are you hurt, have you heard?”
11.
Three Bells 02:45
Three Bells Above my head there hang three bells. One of rust and another one gold, while the third wears a shroud of white snow. And they’re ringing for me. Perched here, the last sun sets such that, in a sudden maneuver of light, all my shadows and vices combine in a memory stream. I misplaced the ring and had to ruin the surprise, then overheard mother sigh with teary-eyed pride. And when she started dropping days in the fog, I helped her cherry tree grow roots in the yard. She spoke of hope, and how it comes at great cost. Well, I’ve got a pocket full of lint for those moths.
12.
Yearlong Vigil I was drifting through some backroads, wasting made up time about seven clicks south of the county line, when I stumbled ‘cross a man – just a mirror in the woods. A roughneck: 60% whiskey, 40% wine. He said “Somewhere down the line there’s a bridge over the river where my kid jumped off last summer and died. You can still see the candles from the vigil, lying melted on their side. But his mother comes on Sundays to light ‘em up.” Now the summers out here get hot and I seen that I’d sweat through my jacket, so I slipped it off and hung it on my arm. I pulled the kerchief that I stole from the organist in Melville out of my pocket to wipe my brow and clear my eyes. He said “Greif’s the kind of thing that lives on both sides of the whip,” and he motioned to the box of candles in his hand. He said “His mother’s never questioned ‘bout how there’s fresh ones every week. And I come out here on Saturdays to burn my receipts.” Now, I roll my own cigarettes ‘cause it’s what my father did, and I offered one to him but he declined. He said “I don’t need the help in dyin’. I do it each day on my own. But some people, they just wanna skip the line home.”
13.
Majesty, too... VI The exodus has begun, though it’s by no means the first one. And she’ll be with us again, in an endless cycle – no beginning or end. Yet we’re terrified to resign and let-turn-to-ash our fragile designs. But, would you know? The jackpines won’t grow without the raging inferno. She falls, she falls to her hands and knees And we call, we’re still calling out for Her Majesty. If we quench the burning night and set sail in silence, her magnificent roar would reach down from the mountain tops to say “the lakes and the lovers, the will be restored!” So set your billows up, deep in the woods, and strike up a match ‘cause, wouldn’t you know? The jackpines won’t grow without the raging inferno. She wakes, and she rises from her hands and knees. And we sing, yeah we’ll be singing out for Her Majesty. VII As we glow through duress, all her kingdom pales to hear her softly speak, and feel her warmth lift the curse. When we tire, she will hold our colours again. Feel the warmth lift the curse! As we tire, she will hold our colours again.

about

This record is the culmination of 5 years of work. The songs held within have existed in various forms until reaching their final iterations here. There are a great number of people who helped make these recordings a reality, and we'd like to thank a few of them here:

Our love and appreciation goes out to Mike Duboff, Ben Ridder, and Kyle Johnston, whose contributions to the band helped shape the music you hear today.

We extend an enormous thank you to everyone who helped fund this album; in particular: Jeff & Anne Durish, Jane & Mark Foster, John & Michelle Fisico, Lois & Ralph Pohlman, Julie & John Brogee, Audrey & Jerry Weiss, Andrew Meiboom, Ben Ridder, Mike Duboff, Bill Miller, Lisa Pohlman, Jacqui Fitzpatrick, James Regan, Mike Brogee, and Stephen Rosenfield. This record couldn’t have been made without your support.

Finally, we send our deepest gratitude to all of our friends, family, and fans who support our music by listening to recordings, coming to concerts, and spreading the word. The music on this record has been ours for a long time, and now it’s yours.

credits

released March 27, 2015

Recorded and mixed at Escarpment Sound Studio, Belwood ON

Produced by Ryan Pritchard
Mixed by Brian Hewson & Ryan Pritchard
Engineered by Brian Hewson & Ryan Pritchard
Assisted by Matt Giblin
Mastered by João Carvalho at João Carvalho Mastering, Toronto ON

All music written and arranged by Long Range Hustle

Lyrics by:
Brogee (Tracks 1, 2, 4, 6, 8, 9, 11, 12)
Foster (Tracks 3, 10)
Brogee & Foster (Tracks 5, 7, 13)

People you can hear on this album:
Paul Brogee (Vocals, Guitar, Violin, Trumpet)
AJ Fisico (Drums, Percussion, Vocals)
Jay Foster (Vocals, Keys)
Bronson Helm (Group Vocals)
Kyle Johnston (Bass, Vocals)
Ryan Pritchard (Group Vocals, Percussion)
Chantal Grybas (Cello)
Josh Weiss (Guitar, Vocals)

Heard in conversation are Paul Brogee, Sebastian Dowd, AJ Fisico, Jay Foster, Kaitlin Pritchard, Ryan Pritchard, Adam Raycraft, Caitlin Thorne, and Josh Weiss

Artwork by Sebastian Dowd
Graphic Design by Fine Line Design, Stirling ON

Long Range Hustle is:
Paul Brogee, AJ Fisico, Jay Foster, & Josh Weiss

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Long Range Hustle Toronto, Ontario

If you’re new to a Long Range Hustle show, it only takes a minute to feel how their contagious energy connects with everyone in the room. From a sweat soaked club to a breezy festival stage, Long Range Hustle brings the warm infectious melodies, driving rhythms, and gorgeous harmonies, in spades. ... more

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